Work by Elektra KB in “Currents: An Overwhelming Response,” on display at A.I.R. Gallery in Brooklyn through this Sunday, February 9th

Posted by on Feb 7, 2020 in Alumni News, Exhibitions, VCS Alumni | No Comments

Title: ‘Survivor Medicine Cabinet’ of Unwated Objects left behind and Gifted
Body of Work: ‘The Way I React To You Is Unsettling’Diptych 1 of 2
Medium: Latex, felt and thread on acrylic.
Dimensions: 34 x 22 Inches
Year: 2018
(via elektrakb.com)

 

VCS 2012 alumna Elektra KB has work on display at A.I.R. Gallery in the group exhibition CURRENTS: An Overwhelming Response, curated by Carmen Hermo. The show is up through this Sunday, February 9th. Here’s a description from the gallery’s website. You can read the full press release (which includes a description of Elektra’s piece Survivor Medicine Cabinet) here.

 

CURRENTS: An Overwhelming Response
Curated by Carmen Hermo

January 10 – February 9, 2020

Mimi Bai, Sera Boeno, Nikesha Breeze, Becky Brown, Caryl Burtner, Bernadette Despujols, Priscilla Dobler, Debora Hirsch, Elektra KB, Nsenga Knight, Le’Andra LeSeur, Nikki Luna, Stefana McClure, Rosemary Meza-DesPlas, Nelson Morales, Pamela Rush, Alicia Smith, Caroline Wayne, Connie Zheng

A.I.R. Gallery is proud to present the 6th edition of CURRENTS, an open call exhibition series in which artists respond to current topics, with this iteration addressing the theme of gaslighting and manipulation.

The 19 international artists in this exhibition, CURRENTS: An Overwhelming Response, represent a plurality of voices exploring and pushing back against experiences and ramifications of gaslighting—or manipulations of reality—on individuals, communities, and culture. The title is drawn from Le’Andra LeSeur’s video work, An Overwhelming Response, which tracks the dismissals, denials, and violent backlash to Black women reporting sexual assaults. This title also evokes the artistic responses to the show’s open call, and the exhibition includes a diverse range of media encompassing sculpture, video, photography, painting, textile, and works on paper. Many of these artworks model healing and shifts in perception to bolster self-knowledge and solicit community support in the face of trauma.

Gaslighting undermines, isolates, and divides. The term comes from the 1938 play and 1944 film Gaslight where a woman is manipulated by her husband to paranoid extremes of self-doubt and anxiety, though she is ultimately vindicated. The work on view in CURRENTS: An Overwhelming Response represents the final selection from an overwhelming response to the open call itself, attesting the importance of naming and visualizing all forms of gaslighting and abuse in 2020. By presenting this array of works, A.I.R. Gallery continues to build on expanded conversations about feminism in art, allowing for the works of these powerful women and gender non-conforming artists to foster connection and communication.

A.I.R. Gallery
155 Plymouth Street
Brooklyn NY 11201
(212) 255 6651

 

Visual & Critical Studies